I had not expected choosing a cover for Why the Curlew Cries to be so difficult.
By the time a manuscript reaches this stage, you know the story intimately. You know its silences, its hidden wounds and the places where darkness gathers. Then you are asked to reduce all of that to a single image.
The cover needed to capture the isolation of the Ox Mountains, the beauty of rural Ireland and the uneasy feeling that something terrible may be happening just beyond sight. It had to feel literary...